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Archive for February, 2010

Off and on I’ve been reading National Review for three decades now, which comes as a surprise to friends since I don’t share any of the magazine’s politics. But National Review has published some fine writers, along with the usual assortment of conservative hacks.  First and foremost, the magazine published many reviews by Guy Davenport, one [...]

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It is by now old news that blogging has forever changed the nature of how information is generated and consumed, but the full ramifications of this change continue to play themselves out all around us today — and will go on doing so for some time yet. The latest area to be transformed is the [...]

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A fast heads-up that Alaska-based writer Charles Wohlforth has a new book coming out on June 8 called The Fate of Nature: Rediscovering our Ability to Rescue the Earth (you can read an excerpt here), which focuses on the relationship between the possibilities and limits of human nature, and the scale of the environmental crisis [...]

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I had a bit of a crisis a couple of weeks back. I’d been working diligently on this whole “learning to draw” project for five and a half months, and had steadily worked my way through ups and downs to a point where I could say that my skills had progressed from “really very bad” [...]

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There is something about the far north that photography finds deeply compatible — something, perhaps, in its minimalism, its starkness of contrasts between sea and ice, its naked ruggedness. Canadian photographer David Burdeny (I briefly wrote about him here) captures its spirit very effectively in majestic tones of grey and blue, but Kevin Cooley of [...]

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There is a kind of long-term shock that comes with the realization that the landscape around one’s own home is being altered beyond recovery. Psychologically, after all, a landscape is a permanent thing — hills and forests and paths are unchanging things to a child, and even when one moves away in adulthood they are [...]

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Blackface, as we’ve touched on before in this blog, was a pervasive part of American popular culture in the late 19th and early 20th century. I’d go so far as to argue that blackface was the dominant aesthetic prism through which whites saw African Americans (as well as black Africans and other members of the [...]

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Nobody talks about comics with more intelligence than Art Spiegelman and Francoise Mouly, so it is always a happy day when they sit down for an extensive interview as they recently did for Michael Silverblatt’s show Bookworm. Silverblatt, abuzz with his smart responsiveness and high-spirits, chatted with the pair about their new anthology The Toon Treasury of [...]

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