End zones

A few years back, I came across the interesting observation — I think it was in an essay on Sophia Coppola — that most directors address only a single theme or question across all the movies they make in their careers, using each film to come closer to an answer they’ll be satisfied with. This observation almost certainly applies to Coppola’s oeuvre to date, which focuses on the lives of alienated young women, just as it applies, with somewhat less consistency, to the careers of directors like Martin Scorsese and Woody Allen.  And while one might at first hesitate to place Mexican director Alfonso Cuarón in this category — his work, after all, includes a modernization of Dickens’ Great Expectations, a version of Frances Hodgson Burnett’s A Little Princess, and, of all things, a Harry Potter film — his two greatest films, Y Tu Mamá También and Children of Men, have enough thematic similarity to at least make the question worth raising.

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